So while I used to watch movies to simply watch movies, I now find myself unable to watch them without analyzing everything that is going
on between characters. Now I always point out scenes in them out and say to myself “oh my goodness, this
totally relates to everything we talk about in comm.” I still find it funny how
all these movies that I have already seen before demonstrate so many of the coding
schemes that we have talked about in class, yet I never noticed them before. This weekend, i just so happened to watch Just Go With It, and since nobody in class did their movie analysis on it, I thought I’d touch on the film and a scene that I found to be one of my favorite.
First off, here is a brief summary
for those who have not seen it. Just Go With It is about Danny Maccabee (Adam Sandler), a successful plastic surgeon
in Los Angeles, who fakes unhappy marriages in order to get women, in other words, pretending he is some sensitive guy. Keep in mind
Danny is a perfectly stereotyped male, fitting all categories of Kim et al.’s
(2007) coding strategy of sex as masculinity. He is preoccupied
with women’s bodies, constantly consumed by sexual thoughts, and occasionally
talks openly about his sexual desires and experiences. Typical man right? The reason for these
fake marriages is to simply avoid romantic commitment that may eventually lead
to heartbreak. Funny how this also completely matches the masculine commitment
coding strategies in the Kim et al. (2007) reading we did in class. (p.153). I'm beginning to think Kim et al.'s study were the co-producers of this film (haha). Anyways, the movie continues and, at a party Danny
meets Palmer (Brooklyn Decker) a beautiful, skinny, tall blonde... basically everything you would expect media to make a “perfect” girl to look
like (picture displayed below)
Picture Perfect Palmer |
Anyways, he happened to not be wearing his wedding ring when they first
met, and the next morning, after they had hit it off, Palmer finds the ring.
Assuming that Danny is cheating on his wife with her, she refuses to date him. Instead
of telling her the truth he presumes to tell her that he is getting divorced
from a women named Devlin. Smooth move on his part, right? Well, it was until
Palmer insists on meeting “Devlin” so she can tell him that this in fact isn’t
a lie. Danny asks Katherine (Jennifer Aniston), his office manager, to pretend
to be “Devlin.” This is where the movie gets awesome. Katherine’s kids get involved, yada yada yada
the movie goes on, watch the movie, its great, you’ll love it.
Anyways, below I have included a clip from the film that I found hilarious.
This is a clip of the first time
Palmer meets “Devlin”. I think the thing I like best about it is that “Devlin” is
totally demasculinizing Danny. She is coming up with fake statements about
Danny to make him appear less sexually pleasing and attractive. These comments totally going against Kim et al.’s masculine courtship strategies of the fact that men use active and powerful strategies to win women’s affection and appear
valued for their strength and power (p. 152-153). The comments that were made were, “I’m just
happy his thing-a-ding can still ring-a-ding” and “he has a serious small
issue with ED (erectile dysfunction)” and "its like trying to throw darts and you just, all you got, is you're shooting with rubber cooked spaghetti." Danny becomes extremely defensive and begins making comments about Katherine to try and protect his shrinking masculinity.
I love seeing a women take a stand and call a man out when he
is a dishonest player, but that’s just my opinion.
Great post, Brittnee! I also like this movie, especially the "sheep shipper" dinner scene. I agree with your last paragraph about the clip, but I have something to add to it.
ReplyDeleteWhile "Devlin" is taking a stand against Danny, she is actually reinforcing the "Sex as Masculinty" male stereotype outlined by Kim (2007), namely that "Comments about phallus size or references to men's fears about being unable to perform sexually also reflect this idea that it is important for men to actively exhibit their sexual prowess."
So the fact that "Devlin" chooses these specific criticisms in order to undermine Danny's masculinity shows that the movie's conforming to the Sex as Masculinity stereotype.